《the unbearable bassington》

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the unbearable bassington- 第33部分


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knew what had happened。



〃I wish I could say something; I can't。〃  Lady Caroline spoke in a 

harsh; grunting voice that few people had ever heard her use。



Francesca crossed the Mall and the carriage drove on。



〃Heaven help that poor woman;〃 said Lady Caroline; which was; for 

her; startlingly like a prayer。



As Francesca entered the hall she gave a quick look at the table; 

several packages; evidently an early batch of Christmas presents; 

were there; and two or three letters。  On a salver by itself was 

the cablegram for which she had waited。  A maid; who had evidently 

been on the lookout for her; brought her the salver。  The servants 

were well aware of the dreadful thing that was happening; and there 

was pity on the girl's face and in her voice。



〃This came for you ten minutes ago; ma'am; and Mr。 Greech has been 

here; ma'am; with another gentleman; and was sorry you weren't at 

home。  Mr。 Greech said he would call again in about half…an…hour。〃



Francesca carried the cablegram unopened into the drawing…room and 

sat down for a moment to think。  There was no need to read it yet; 

for she knew what she would find written there。  For a few pitiful 

moments Comus would seem less hopelessly lost to her if she put off 

the reading of that last terrible message。  She rose and crossed 

over to the windows and pulled down the blinds; shutting out the 

waning December day; and then reseated herself。  Perhaps in the 

shadowy half…light her boy would come and sit with her again for 

awhile and let her look her last upon his loved face; she could 

never touch him again or hear his laughing; petulant voice; but 

surely she might look on her dead。  And her starving eyes saw only 

the hateful soulless things of bronze and silver and porcelain that 

she had set up and worshipped as gods; look where she would they 

were there around her; the cold ruling deities of the home that 

held no place for her dead boy。  He had moved in and out among 

them; the warm; living; breathing thing that had been hers to love; 

and she had turned her eyes from that youthful comely figure to 

adore a few feet of painted canvas; a musty relic of a long 

departed craftsman。  And now he was gone from her sight; from her 

touch; from her hearing for ever; without even a thought to flash 

between them for all the dreary years that she should live; and 

these things of canvas and pigment and wrought metal would stay 

with her。  They were her soul。  And what shall it profit a man if 

he save his soul and slay his heart in torment?



On a small table by her side was Mervyn Quentock's portrait of her 

… the prophetic symbol of her tragedy; the rich dead harvest of 

unreal things that had never known life; and the bleak thrall of 

black unending Winter; a Winter in which things died and knew no 

re…awakening。



Francesca turned to the small envelope lying in her lap; very 

slowly she opened it and read the short message。  Then she sat numb 

and silent for a long; long time; or perhaps only for minutes。  The 

voice of Henry Greech in the hall; enquiring for her; called her to 

herself。 Hurriedly she crushed the piece of paper out of sight; he 

would have to be told; of course; but just yet her pain seemed too 

dreadful to be laid bare。  〃Comus is dead〃 was a sentence beyond 

her power to speak。



〃I have bad news for you; Francesca; I'm sorry to say;〃 Henry 

announced。  Had he heard; too?



〃Henneberg has been here and looked at the picture;〃 he continued; 

seating himself by her side; 〃and though he admired it immensely as 

a work of art he gave me a disagreeable surprise by assuring me 

that it's not a genuine Van der Meulen。  It's a splendid copy; but 

still; unfortunately; only a copy。〃



Henry paused and glanced at his sister to see how she had taken the 

unwelcome announcement。  Even in the dim light he caught some of 

the anguish in her eyes。



〃My dear Francesca;〃 he said soothingly; laying his hand 

affectionately on her arm; 〃I know that this must be a great 

disappointment to you; you've always set such store by this 

picture; but you mustn't take it too much to heart。  These 

disagreeable discoveries come at times to most picture fanciers and 

owners。  Why; about twenty per cent。 of the alleged Old Masters in 

the Louvre are supposed to be wrongly attributed。  And there are 

heaps of similar cases in this country。  Lady Dovecourt was telling 

me the other day that they simply daren't have an expert in to 

examine the Van Dykes at Columbey for fear of unwelcome 

disclosures。  And besides; your picture is such an excellent copy 

that it's by no means without a value of its own。  You must get 

over the disappointment you naturally feel; and take a 

philosophical view of the matter。 。 。 〃



Francesca sat in stricken silence; crushing the folded morsel of 

paper tightly in her hand and wondering if the thin; cheerful voice 

with its pitiless; ghastly mockery of consolation would never stop。









End 
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