When they approached each other； therefore； before embracing； they made three profound reverences； the queen taking off her hat and remaining in a silk net or caul； with her face uncovered。 The king then approached and embraced her； and kissed her respectfully on the cheek。 He also embraced his daughter the princess； and； making the sign of the cross； he blessed her and kissed her on the lips。*
*Cura de los Palacios。
The good Agapida seems scarcely to have been more struck with the appearance of the sovereigns than with that of the English earl。 He followed （says he） immediately after the king； with great pomp and； in an extraordinary manner； taking precedence of all the rest。 He was mounted 〃a la guisa；〃 or with long stirrups； on a superb chestnut horse； with trappings of azure silk which reached to the ground。 The housings were of mulberry powdered with stars of gold。 He was armed in proof； and wore over his armor a short French mantle of black brocade； he had a white French hat with plumes； and carried on his left arm a small round buckler banded with gold。 Five pages attended him； apparelled in silk and brocade and mounted on horses sumptuously caparisoned； he had also a train of followers bravely attired after the fashion of his country。
He advanced in a chivalrous and courteous manner； making his reverences first to the queen and infanta； and afterward to the king。 Queen Isabella received him graciously； complimenting him on his courageous conduct at Loxa； and condoling with him on the loss of his teeth。 The earl； however； made light of his disfiguring wound； saying that 〃our Blessed Lord； who had built all that house； had opened a window there； that he might see more readily what passed within；〃* whereupon the worthy Fray Antonio Agapida is more than ever astonished at the pregnant wit of this island cavalier。 The earl continued some little distance by the side of the royal family； complimenting them all with courteous speeches； his horse curveting and caracoling； but being managed with great grace and dexterity； leaving the grandees and the people at large not more filled with admiration at the strangeness and magnificence of his state than at the excellence of his horsemanship。**
*Pietro Martyr； Epist。 61。
**Cura de los Palacios。
To testify her sense of the gallantry and services of this noble English knight； who had come from so far to assist in their wars； the queen sent him the next day presents of twelve horses； with stately tents； fine linen； two beds with coverings of gold brocade； and many other articles of great value。
Having refreshed himself； as it were； with the description of this progress of Queen Isabella to the camp and the glorious pomp of the Catholic sovereigns； the worthy Antonio Agapida returns with renewed relish to his pious work of discomfiting the Moors。
The description of this royal pageant and the particulars concerning the English earl； thus given from the manuscript of Fray Antonio Agapida； agree precisely with the chronicle of Andres Bernaldez； the curate of Los Palacios。 The English earl makes no further figure in this war。 It appears from various histories that he returned in the course of the year to England。 In the following year his passion for fighting took him to the Continent； at the head of four hundred adventurers； in aid of Francis； duke of Brittany； against Louis XI。 of France。 He was killed in the same year （1488） in the battle of St。 Alban's between the Bretons and the French。
CHAPTER XLIII。
HOW KING FERDINAND ATTACKED MOCLIN； AND OF THE STRANGE EVENTS THAT ATTENDED ITS CAPTURE。
〃The Catholic sovereigns；〃 says Fray Antonio Agapida； 〃had by this time closely clipped the right wing of the Moorish vulture。〃 In other words； most of the strong fortresses along the western frontier of Granada had fallen beneath the Christian artillery。 The army now lay encamped before the town of Moclin； on the frontier of Jaen； one of the most stubborn fortresses of the border。 It stood on a high rocky hill； the base of which was nearly girdled by a river： a thick forest protected the back part of the town toward the mountain。 Thus strongly situated； it domineered； with its frowning battlements and massive towers； all the mountain…passes into that part of the country； and was called 〃the shield of Granada。〃 It had a double arrear of blood to settle with the Christians： two hundred years before； a master of Santiago and all his cavaliers had been lanced by the Moors before its gates。 It had recently made terrible slaughter among the troops of the good count de Cabra in his precipitate attempt to entrap the old Moorish monarch。 The pride of Ferdinand had been piqued by being obliged on that occasion to recede from his plan and abandon his concerted attack on the place； he was now prepared to take a full revenge。
El Zagal； the old warrior…king of Granada； anticipating a second attempt； had provided the place with ample ammunitions and provisions； had ordered trenches to be digged and additional bulwarks thrown up； and caused all the old men； the women； and the children to be removed to the capital。
Such was the strength of the fortress and the difficulties of its position that Ferdinand anticipated much trouble in reducing it； and made every preparation for a regular siege。 In the centre of his camp were two great mounds； one of sacks of flour； the other of grain； which were called the royal granary。 Three batteries of heavy ordnance were opened against the citadel and principal towers； while smaller artillery； engines for the discharge of missiles； arquebuses； and crossbows； were distributed in various places to keep up a fire into any breaches that might be made； and upon those of the garrison who should appear on the battlements。
The lombards soon made an impression on the works； demolishing a part of the wall and tumbling down several of those haughty towers which； from their height； had been impregnable before the invention of gunpowder。 The Moors repaired their walls as well as they were able； and； still confiding in the strength of their situation； kept up a resolute defence； firing down from their lofty battlements and towers upon the Christian camp。 For two nights and a day an incessant fire was kept up； so that there was not a moment in which the roaring of ordnance was not heard or some damage sustained by the Christians or the Moors。 It was a conflict； however； more of engineers and artillerists than of gallant cavaliers； there was no sally of troops nor shock of armed men nor rush and charge of cavalry。 The knights stood looking on with idle weapons； waiting until they should have an opportunity of signalizing their prowess by scaling the walls or storming the breaches。 As the place； however； was assailable only in one part； there was every prospect of a long and obstinate resistance。
The engineers； as usual； discharged not merely balls of stone and iron to demolish the walls； but flaming balls of inextinguishable combustibles designed to set fire to the houses。 One of these； which passed high through the air like a meteor； sending out sparks and crackling as it went； entered the window of a tower which was used as a magazine of gunpowder。 The tower blew up with a tremendous explosion； the Moors who were upon its battlements were hurled into the air； and fell mangled in various parts of the town； and the houses in its vicinity were rent and overthrown as with an earthquake。
The Moors； who had never witnessed an explosion of the kind； ascribed the destruction of the tower to a miracle。 Some who had seen the descent of the flaming ball imagined that fire had fallen from heaven to punish them for their pertinacity。 The pious Agapida himself believes that this fiery missive was conducted by divine agency to confound the infidelsan opinion in which he is supported by other Catholic historians。*
*Pulgar； Garibay； Lucio Marino Siculo； Cosas Memoral。 de Hispan。； lib。20。
Seeing heaven and earth； as it were； combined against them； the Moors lost all heart： they capitulated； and were permitted to depart with their effects； leaving behind all arms and munitions of war。
The Catholic army （says Antonio Agapida） entered Moclin in solemn state； not as a licentious host intent upon plunder and desolation； but as a band of Christian warriors coming to purify and regenerate the land。 The standard of the cross； that ensign of this holy crusade； was borne in the advance； followed by the other banners of the army。 Then came the king and queen at the head of a vast number of armed cavaliers。 They were accompanied by a band of priests and friars； with the choir of the royal chapel chanting the canticle 〃Te Deum laudamus。〃 As they were moving through the streets in this solemn manner； every sound hushed excepting the anthem of the choir； they suddenly heard； issuing as it were from under ground； a chorus of voices chanting in solemn response 〃Benedictum qui venit in nomine Domini。〃* The procession paused in wonder。 The sounds rose from Christian captives； and among them several priests； who were confined in subterraneous dungeons。
*Marino Siculo。
The heart of Isabella was greatly touched。 She ordered the capti